1
|
- Rick Ochoa, rick@nyu.edu
- Melitte Buchman, melitte@nyu.edu
- New York University, Digital Library Program
|
2
|
|
3
|
- Preservation and access for 250 hours per year of digital and analog
multimedia material
- Build a scalable model for both the Digital Library and the Preservation
Department
- Build in-house knowledge base
|
4
|
- Architecture
- Building an efficient workflow
- Metadata - bibliographic and technical
|
5
|
- What do we really mean when we use the words video and preservation
together?
- What is the difference between preservation, restoration and recreation?
- Why are libraries different?
|
6
|
- Common examples from 2 dimensional imaging and best practices developed
and employed in the digital community
|
7
|
|
8
|
|
9
|
|
10
|
- Primary goal of preserving images
- Primary goal of preserving multimedia material
|
11
|
- Careful characterizing and profiling of equipment to avoid machine
fingerprinting
- Materials are never enhanced in master
- If derivative is enhanced due to loss content that is CLEARLY noted
|
12
|
- Is it reversible
- Is it distinguishable
- Otherwise it’s a forgery
|
13
|
- Based on a commercial model (resale)
- Heavily reworked surrogates
|
14
|
- The following quotes from Film Festival Reporter, AFI/AFM Special, Focus
on Restoration and Archiving,
Fall 2005
|
15
|
- “Restoring Cinderella was a Ball; Interview w/ FFR and David Bossart”
- pg15
|
16
|
- “Higher, Mightier; Chace restores John Wayne’s flight status after
twenty-five years”, Bob Heiber, page 18
|
17
|
- Opens rationale for use of enhancing and destructive tools including
audio filters, dramatic color changes, color saturation, frame by frame
filtering
- Goal is almost always to produce an asset that is more salable
|
18
|
|
19
|
|
20
|
|
21
|
- Develop specific practices to uphold spirit of grounding video assets.
- Steer clear of all “restoration”
- Attempt to isolate character of video
- Correct only the flaws that are known
|
22
|
|
23
|
|
24
|
|
25
|
|
26
|
- Using the time base corrector to correct a known loss
- Not correcting unknown loss
- Needing a programmatic rather than aesthetic approach
|
27
|
- Reference Signal, Red/Blue Boundary
- VHS Tape Signal
- VHS Tape Signal post-Time Base Correction
|
28
|
|
29
|
|
30
|
- Processed early 2006, uncataloged
- Native Dance - Mexican Collection
- Princess Talksalot - American Indian Community House Collection
- Political Play - Brazilian Collection
- Performance Piece - Mexican Collection
|
31
|
|